yikerop.blogg.se - Vellai pookal song from kannathil muthamittal free download

#Vellai pookal song from kannathil muthamittal free download movie

And I have fond memories of this song from school 🙂 when our seniors choreographed it awesomely for the annual day, transvestite and all.

Pettai Rap from Kaadhalan : This song needs no introduction, does it? I like the lyrics too… deep philosophical ponderings about life and death… appropriate for a song to be sung at a funeral procession.It’s stock baila, just like Surangani, and possibly many other songs in the genre, but the cheerful mood of the song stands out against the serious mood of the rest of the movie. The baila tunes and Sinhalese words demand to run through my head atleast once a day. I however can’t get this song out of my head. Signore Signorefrom Kannathil Muthamittaal: People might like Vellai Pookal for its social message about peace and all, or adore Jayachandran’s soulful rendition of the title track.

#Vellai pookal song from kannathil muthamittal free download movie

The whole zest for life and freshness Sonali Kulkarni is supposed to have in the movie is reflected in this one song.

This song had the suprabhatam as its opening…. And this song is where she talks about all the things she’d love to do, while on a morning walk. Movie’s about a young girl yearning to be free from her overbearing father and a stuttering fiance.

Margazhi Poove from May Madham: Sonali Kulkarni’s debut.

But Mettu Podu is the feel-good song in the album, and no matter how many times I listen to it, it only seems to get better. The same movie had some really soulful songs like En Kaadhalae and Anjali, all rendered awesomely by SPB. It’s a nice idea to have a wedding musician who plays the sax (in the movie)… it just sounds like the nadaswaram with a more fusion-ish feel. I suspect the lead character was made a saxophonist just so that ARR could use nice sax melodies for the songs in the movie.

Mettu Podufrom Duet: A very nice fusion-ish song.

Some of these songs manage to stick with you through the ages and enter the hallowed portals of what you consider ‘alltime great’ songs. So you end up having a lot of memories tangled with quite a few of these songs. And no one wanted one either… the music was different, and good.

Either on the radio or in the interval at the movies, or in weddings, or in someone’s car, or on TV…. And even if they were not, the music would be a superhit for sure… which meant you’d hear of them. Quite obviously… Rahman would score music for all those feel-good flicks that would be megahits. I’m pretty sure every urban South Indian has one of these.